Monday, December 12, 2011

Moleskine Update

crockett street bridge
Crockett St Bridge. A standing sketch. Immediately to the right, out of frame, was a Coca-Cola delivery truck, engine idling. I'd been sketching for a while before I realized two delivery guys were watching me from the cab. When I noticed them staring I thought they'd ask to see the sketch, but instead they turned away somewhat self-consciously and rather abruptly drove away.

self portrait in living room with L reclining
I kind of screwed up Linda's sketch, but I'm fond of the self-portrait. It's one of the few where I'm clean-shaven.

sheep skull
Sheep skull. I find it difficult to elaborate on that description.

la tuna
La Tuna is an indoor/outdoor gathering spot/watering hole in San Antonio. The kitchen/indoor dining area burned down days after this sketch. That's I think four places I've sketched that were later destroyed, though I've heard it's already rebuilt. The beer is not mine, BTW. I'm not some kind of zealot or anything, just boring. I prefer Dr Pepper to Shiner Bock.

Thursday, December 8, 2011

Obligatory dinosaur post

I worry about this becoming a dinosaur art blog. While I have been working the last few months, much of the artwork I've made has been dinosaur-related, and not the urban-sketching stuff I usually offer up. Hence the apprehension about posts like these. Oh well, if you don't like dinos, get over it.

Here are some recent dinos I done. Some are digital, some pencil, some ink, some done in pencil or ink and colored digitally, etc.

gallimimus revision
Digital Gallimimus, painted in photoshop. Originally gave it pennaceous arm feathers until it was pointed out to me Gallimimus was unlikely to have had them.

camarasaurus v02
I've never gotten any feedback on this Camarasaurus from anyone. Not sure if it's good or crappy.

styracosaurus color
I changed this Styracosaurus's head a bit from the drawing to the color version. Guess I didn't like the angle. Ain't computers awesome?

Styracosaurus  albertensis

Allosaurus fragilis. There's something I like about these foreshortened poses. Will color these eventually.

Edmontosaurus (or Anatotitan) copei
I worry this Edmontosaurus is just a tad cartoonish, but I still like it.

Parasaurolophus-- kind of an R. Crumb meets Wayne Barlow thing happening here, albeit unintentionally.

Utahraptor leaping, or maybe in a courtship dance.

Friday, August 12, 2011

Back to the grind

With as many lapses as there have been in this blog I'd never missed an entire month before, until July.  Factors contributing to my delinquency:

  • Too hot to draw, so no work to post.
  • Worked two jobs for a while, seven days a week.  This situation has been remedied.
  • Was out of town for 11 days, with limited interwebs access.
  • Lazy
We all know which of those factors should be weighed most heavily, don't we.

Consider this post the turning over of a new leaf.  Not only do I intend to post more (famous last words and a dangerous utterance in any blog), but I want to post more about what I'm thinking, as well as what I'm doing.

In the meantime, what am I doing?

I did these drawings whilst in Elgin, North Dakota:

Permann house

outside the trailer

garage sale elgin ND july 2011


More soon!

Friday, June 17, 2011

A belated DFW sketch-chronicling

So on a weekend back in April (?!) I accompanied my sweetie to the Dallas Fiber Arts Festival, where she taught some classes and had a book signing, etc.  Because I knew she'd be busy I was able to find some time to drive into both Dallas and Fort Worth (we stayed in Grapevine, about midway betwixt the two) for some sketcherating.   

I still wish I'd done more, but we were also museuming it up, taking in the Fort Worth Museum of Science and History, the Modern, and the Kimbell twice.  

Without further ado, here are the results of a couple days' sketching.

adolphus hotel,
The Adolphus Hotel in downtown Dallas.  I was inspired to tackle this one after seeing a fantastic Richard Haas litho of this building.  Of course, Richard had access to a higher point of view (and he works from photos).

In progress:
sketching the adolphus hotel

The gorgeous Tarrant County Courthouse in Fort Worth, right up there with Bexar and Victoria County courthouses.  A police officer approached me while I was taking pictures, before I began my sketch.  At first I was afraid I'd be in trouble for taking pics of a govt building (I've heard many horror stories of urban photographers being harrassed) but he just wanted to talk to me a little about the history of the building, and he was very friendly and knowledgeable.  Yet another reason Fort Worth is my favorite city in TX (besides SA of course.)
tarrant county courthouse

sketching the tarrant county courthouse

The rest of my sketching locations are conveniently identified within each sketch to provide the requisite geographical context:
main street

fort worth museum of science and history

main and ervay


Monday, May 30, 2011

Dinosaurs of the recent past

I suppose some of you who have been following this blog for some time and who aren't interested in dinosaurs probably find these posts excruciating.  Sorry, guys; there will be plenty more urban sketching posts, including some very soon.

Meanwhile, I've been spending the last three months or so re-learning how to draw dinosaurs, and rediscovering the world of dinosaurs-- the research, the art, and the fans, thanks to the dinosaur blogosphere.

Why do I say "rediscovering?"  Because, about 17 years ago, I was nuts about dinosaurs.  Just completely bonkers.  This post is about how that all started and ended, and started again.

As a pre-teen, I was certainly a fan of dinosaurs, but I was never the kind of serious devotee that many of my friends were at that age.  It was my final year in middle school when I stayed up all night reading Jurassic Park for the the first time on my bottom bunk that I became truly hooked.   Mind you, this was a few months before the movie came out.  My dad was a hardcore Crichton fan at the time, and my brother and I would read anything that he read.  By the 7th grade I was reading Ursula K. Le Guin and Robert L. Forward, so Crichton didn't seem too tricky.  I read Sphere first, I think, then moved on to JP, which I still think has one of the most compelling covers for any book I've ever seen.  I knew the movie was imminent, so I wasn't reading the book in some hype-free vacuum, but I nevertheless had few expectations.

I should say right now that I have always been a person who fixates exclusively on one interest for a while until I feel I have gained some measure of expertise, at which point I move on to the next thing.  Prior to my dinosaur interest I was a scholar of all things whale-related, having watched Voyage of the Mimi in 6th grade science.  I promptly dropped that for comic books, after my Uncle Mark and Aunt Mary gave me a copy of How to Draw Comics the Marvel Way by Stan Lee and John Buscema.  I had been on that kick a few years (and didn't drop it entirely, at least at first) when dinosaurs came along.

After I read the last page of Jurassic Park I quickly pulled my few dinosaur books from my bookshelf and began to re-read, with far more enthusiasm than ever before.  I had a copy of David Norman's Illustrated Encyclopedia of Dinosaurs that my grandmother had given me for Christmas when I was younger.  I had a picture book called Dinosaurs by Anthony Rao filled with beautiful colored pencil illustrations.  I had another gift from my aunt and uncle, a very cool and very ahead-of-its-time book on Pterosaurs by Helen Roney Sattler and illustrated by Christopher Santoro.  It featured hairy(!) pterosaurs of all things and talked about the idea that they were warm-blooded, and made abundantly clear the fact that pterosaurs were not dinosaurs.  Of course, when I got it for Christmas as a 6-year-old I had no preconceived notions about pterosaurs at all, so nothing about it seemed all that controversial to me.

I absorbed as much as I could from the books, including Norman's already-outdated Encyclopedia, and began to psyche myself up for the movie that was still some six months away.  I remember getting a copy of Newsweek with the movie's T. rex on the cover and a big spread of the brachiosaur inside.  I remember the whole family going to the theater on opening night (something we had only done before for Indiana Jones and Batman).  (I saw it at least 8 total times in the theater, including twice at the IMAX.  That fact embarasses me now.)   The final step in the process was forcing my parents to buy me a copy of The Making of Jurassic Park  and looking at all the dino concept-art by Crash McCreery.  I think I made my mind up right there in the bookstore that I would be a dinosaur artist.

Only my dinosaur world was about to change again in only a few months.  That summer I also got a copy of The Dinosaur Heresies by Robert Bakker on the basis of Crichton's acknowledgments list in the back of JP, and my memories of the guy from Christopher Reeve's "Dinosaur!" from the '80s.  There was a feathered Deinonychus in there!  Weird.

Then I discovered in my school library (I was now a high school freshman) a copy of Predatory Dinosaurs of the World by Gregory S. Paul (another guy acknowledged by Crichton).  It was shocking at first to see all the feathered dinosaurs in there.  I showed others, who also thought it bizarre, and a little bit crackpot-ish.  But I checked it out and read it from cover to cover (no joke) over the weekend, and was convinced:  Gregory Paul and Bob Bakker were right, and everyone else was wrong, including JP.

I spent the next two years of my life ripping off Bakker and then Paul in countless dinosaur drawings.  They got steadily better over the years, at least technically, even if they were all essentially plagiarism.

Wow-- this must have been after just seeing Paul's raptors for the first time.  I had no real sense yet for Paul's style or proportions, just the profile running pose.  The clenched foot is interesting.  I must have still been borrowing from Crash McCreery.  Check out the ape-like arms.

This T. rex is a copy of Greg Paul's T. rex, but with the pen and ink stipple style of Bakker.  The date on this looks like fall of '93.   Small head and feet on this guy.

This Triceratops is now using Paul's pencil style with Bakker's running trike skeletal pose.  Again, bad proportions.

At some point I think I became so confident in my ability to draw T. rex that I wouldn't use a reference and instead just went for it.  Somehow he got leaner and more tilted.  His head is all funny-looking, too.  The pattern is another Paul rip-off.

For some reason, Homalocephale:

Well, at least I really did get better as an artist at some point, to the extent that my plagiarism would be truly lawsuit-worthy now.  This Velociraptor muscle study is just copying out of Greg Paul's book.  This is on 18" x 24" posterboard by the way.  The others are a similar scale.  I did my share of drawings on 8.5" x 11" dot-matrix printer paper, but I wasn't too intimidated by scale like some kids my age were (and some much older folks still are).  I liked working big.

So then I stopped.  What happened?  Well, in my high school art classes I got a lot more serious about trying to make "real" art, whatever that means.  But the truth is, I got into the Beatles, and then guitar.  Remember what I said about switching interests?  I did a handful of dinosaur drawings my junior and senior years, and one or two things in college, as a fun exercise, but nothing too serious.  I think my dinos really got weird after I'd been away from them so long.  The Greg Paul running pose got even more Mannerist and slaptsicky, as evidenced by these two pieces from college (they're still each about ten years old):

Then, for a decade, I didn't draw one dinosaur or even really read up on any dinosaur news.  You can imagine how surprised I was to learn about the Liaoning fossils and that we now know small theropod dinos were indisputably feathered!  Thanks to my job as a paleo-expert at Dinosaur-Quest, at long last I've returned to making dinosaur art again.  Old habits die hard, and it's been tough to break the old Greg Paul stranglehold on my work.  I still like his stuff, and happen to actually agree with a lot of his recent comments on paleoart, but I've had enough training in art now that I feel I can make the dinosaurs I want to make, and I'm having a lot of fun doing it.

tyrannosaurus rex
This recent T. rex is my first ever all-digital painting.  

Tuesday, May 24, 2011

Moleskine Update

At long last, another moleskine update, to show that I have not been completely idle these past few weeks and months.  Just idle in a blog-writing capacity.  Which is odd, since I don't really write much of anything; I just post images.

And here are some now.  Look at the dates for the proper order-- I don't think there's any rhyme or reason to the order in which I'm posting these.

barnes and noble cafe

mall 01

parking lot at the quarry

vianna's birthday party

arcade fire concert goers

arcade fire concert goers

jean's house

These last three are from the collection of Dinosaur-Quest.  We have quite a few cool modern mammal skulls in addition to our fossil collection, so when it's slow I'll sketch them.  It's great because I can come back to them whenever I have time and keep myself occupied and drawing.

coyote skull

bear skull

rodent skull

Sunday, May 8, 2011

I guess this is what I do now...

Sorry for the seeming redundancy, but these dinosaurs are in color, unlike the last ones.  I suppose that makes them even better.

Thanks to Bill's Wacom tablet and a lot of practice, I've almost gotten comfortable adding digital color to my scanned pencil drawings.  Almost.

Hey, that reminds me!  If you want me to draw something for you (I think it's called illustration or something), contact me and I will gladly for draw it for the appropriate amount of compensation.  Dinosaurs or otherwise!

tyrannosaurus color

yangchuanosaurus color

deinonychus color

giganotosaurus running color

saurophaganax color

allosaurus running color

Saturday, April 23, 2011

The Pearl Brewery

The once-shuttered Pearl Brewery is now home to a bunch of cool restaurants, offices and shops, as well as a campus of the Culinary Institute of America and apartments and condos.  But the best part of the area is still the part-gothic, part-industrial brewery building itself, and until now I hadn't given it the proper attention in a drawing.  There are plans to turn it into a hotel, and while I'm sure they'll retain all the 19th-century architecture, I doubt they'll keep all the cool pipes and fixtures sticking out of the sides.  So in the interest of documenting that side of the building I finally sat down the other day (in the shade) and tackled it.

Pearl Brewery, San Antonio, Tx